{"id":65281,"date":"2026-01-06T11:30:17","date_gmt":"2026-01-06T09:30:17","guid":{"rendered":"https:\/\/edublog.educastur.es\/ixuxu\/?p=65281"},"modified":"2026-01-07T12:46:28","modified_gmt":"2026-01-07T10:46:28","slug":"leticia-baselgas-panderetera","status":"publish","type":"post","link":"https:\/\/edublog.educastur.es\/ixuxu\/2026\/01\/leticia-baselgas-panderetera\/","title":{"rendered":"Leticia Baselgas, panderetera"},"content":{"rendered":"<p>Leticia Baselgas, panderetera: \u201cEl folclore del franquismu foi una construcci\u00f3n pol\u00edtica\u201d. L&#8217;artista y doctora n&#8217;Hestoria del Arte, miembru del grupu L-R, que mira lo tradicional asturianu dende una perspectiva contemporanea, cavilga nos sos diarios sobro m\u00fasica, baille, identid\u00e1 y territoriu. <a href=\"https:\/\/scontent-bcn1-1.xx.fbcdn.net\/v\/t39.30808-6\/611304814_1450273846802016_820084403856285354_n.jpg?_nc_cat=103&amp;ccb=1-7&amp;_nc_sid=127cfc&amp;_nc_ohc=qeuIoVkdCWkQ7kNvwFEwzAI&amp;_nc_oc=AdmgthdVEDF2V5XWI7xcLfQhEf38SWEXT_wSJawZ1zDp3oNbS7ZchDcpI8eV2UZ_m-I&amp;_nc_zt=23&amp;_nc_ht=scontent-bcn1-1.xx&amp;_nc_gid=XhUjXZ1aALczi1-h_njpfA&amp;oh=00_Afpez7CEgdQnlqg2bqLKcb7Z_GpC5hGN31guNxklQN9c5A&amp;oe=69640058\">Ver entrevista<\/a> \/ <a href=\"https:\/\/elpais.com\/cultura\/2026-01-05\/leticia-baselgas-panderetera-el-folclore-del-franquismo-fue-una-construccion-politica.html\">El Pa\u00eds<\/a><\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/imagenes.elpais.com\/resizer\/v2\/L5V22QUVOFBUBD34THBGQLSBPA.jpeg?auth=85f0d1f675b98d5de6856ee9e14faf8463769f64e13209416d6e829f4349d617&amp;width=1200\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large\" src=\"https:\/\/imagenes.elpais.com\/resizer\/v2\/L5V22QUVOFBUBD34THBGQLSBPA.jpeg?auth=85f0d1f675b98d5de6856ee9e14faf8463769f64e13209416d6e829f4349d617&amp;width=1200\" width=\"1200\" height=\"800\" \/><\/a><\/p>\n<p>Leticia Baselgas, panderetera y doctora n&#8217;Hestoria del Arte, autora de \u2018Diarios d&#8217;una panderetera\u2019 (La Fabriquina), posa pela redolada de la so casa nel pueblu de Baselgas, nel conceyu de Grau, Asturies, el 23 de payares de 2025.<\/p>\n<p><!--more--><\/p>\n<p>Leticia Baselgas tien un cald\u00edn. Asina ye como llama a esi inter\u00e9s perenne \u2014un caldu burbuxeante, a poco fueu, llenu d&#8217;elementos\u2014 por entender daqu\u00e9 que-y atraxo dende ne\u00f1a: la cultura tradicional, lo que se llamaben los bailles rexonales\u201d, la identid\u00e1 acomu\u00f1ada a tollo. La so peripecia vital, qu&#8217;incl\u00fai un doctor\u00e1u n&#8217;Hestoria del Arte, foi una dial\u00e9ctica con eses espresiones culturales, sobro les que foi camudando de postura, dende los grupos de baille, los grupos etnogr\u00e1ficos o l&#8217;asociaci\u00f3n Muyeres (que reivindica la pandereta y el papel femen\u00edn na m\u00fasica tradicional) hasta una \u00faltima fase cola creaci\u00f3n, al pie de la so pareya Rub\u00e9n Bada, del grupu de post folk L-R.<\/p>\n<p style=\"text-align: center\">\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Flafabriquina%2Fposts%2Fpfbid0HW3nZzPjc47GLP2icff5fa45dc4J3nRHSxWDkTLYHnZsDqMPMTUQvJsKew1e7Wgol&#038;show_text=false&#038;width=500\" width=\"500\" height=\"498\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowfullscreen=\"true\" allow=\"autoplay; clipboard-write; encrypted-media; picture-in-picture; web-share\" 0=\"\/iframe\" class=\"iframe-class\"><\/iframe>\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leticia Baselgas, panderetera: \u201cEl folclore del franquismu foi una construcci\u00f3n pol\u00edtica\u201d. L&#8217;artista y doctora n&#8217;Hestoria del Arte, miembru del grupu L-R, que mira lo tradicional asturianu dende una perspectiva contemporanea, cavilga nos sos diarios sobro m\u00fasica, baille, identid\u00e1 y territoriu. Ver entrevista \/ El Pa\u00eds Leticia Baselgas, panderetera y doctora n&#8217;Hestoria del Arte, autora de [&hellip;]<\/p>\n","protected":false},"author":117,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-65281","post","type-post","status-publish","format-standard","hentry","category-musica"],"_links":{"self":[{"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/posts\/65281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/users\/117"}],"replies":[{"embeddable":true,"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/comments?post=65281"}],"version-history":[{"count":5,"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/posts\/65281\/revisions"}],"predecessor-version":[{"id":65337,"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/posts\/65281\/revisions\/65337"}],"wp:attachment":[{"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/media?parent=65281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/categories?post=65281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edublog.educastur.es\/ixuxu\/wp-json\/wp\/v2\/tags?post=65281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}