{"id":883,"date":"2020-10-01T20:13:53","date_gmt":"2020-10-01T18:13:53","guid":{"rendered":"https:\/\/edublog.educastur.es\/unamusicadecine\/?p=883"},"modified":"2025-12-03T21:05:28","modified_gmt":"2025-12-03T19:05:28","slug":"decada-de-los-30","status":"publish","type":"post","link":"https:\/\/edublog.educastur.es\/unamusicadecine\/2020\/10\/01\/decada-de-los-30\/","title":{"rendered":"D\u00e9cada de los 30."},"content":{"rendered":"<p align=\"justify\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" src=\"https:\/\/4.bp.blogspot.com\/-nJuwGXebpcU\/WV9Ueyo-frI\/AAAAAAAAZSU\/MFprwqekhzM4YadL7VwQRge_9qeCXnbWACLcBGAs\/s640\/A%25C3%25B1os%2B30%2B-%2BCine%2BHistoria%2B-%2BSesi%25C3%25B3n%2Bde%2BRe-estrenos.jpg\" width=\"586\" height=\"426\" \/><\/p>\n<p style=\"text-align: justify\" align=\"justify\"><span style=\"font-family: arial, helvetica, sans-serif\">Se ha dicho que la m\u00fasica cinematogr\u00e1fica de Hollywood comenz\u00f3 con el vien\u00e9s <strong>Max Steiner.<\/strong><\/span><\/p>\n<p style=\"text-align: justify\" align=\"justify\"><span style=\"font-family: arial, helvetica, sans-serif\"><strong>\u00a0<\/strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/4\/41\/Max-steiner_composing.jpg\/220px-Max-steiner_composing.jpg\" width=\"150\" height=\"200\" \/>Autor de m\u00e1s de 300 bandas sonoras, dot\u00f3 a sus obras de una gran expresividad e inici\u00f3 t\u00e9cnicas que interrelacionaban di\u00e1logo, acci\u00f3n y m\u00fasica de forma nueva, lo que marcar\u00edan la m\u00fasica caracter\u00edstica de los a\u00f1os dorados de Hollywood. Es conocido por introducir el leit motiv en el lenguaje cinematogr\u00e1fico (una peque\u00f1a melod\u00eda que se asocia a un personaje o a una idea y que suena cuando estos aparecen en la pel\u00edcula). Vamos a ver algunos ejemplos de temas c\u00e9lebres del autor.<br \/>\n<\/span><\/p>\n<ul>\n<li style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\"><strong><span style=\"color: #ff00ff\">Lo que el<\/span>\u00a0<\/strong><span style=\"color: #ff00ff\"><strong>viento se llev\u00f3 (1939).<\/strong>\u00a0<\/span>Aqu\u00ed destaca el uso del leit motiv, el c\u00e9lebre tema de Tara, que asociamos inmediatamente con el personaje. Aparecen \u00a0un total de 16 motivos diferentes que se van entrelazando en la pel\u00edcula. <b>Max Steiner<\/b> gan\u00f3 el <i>Oscar<\/i> por esta estupenda banda sonora.<\/span><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail\" src=\"https:\/\/cadenaser00.epimg.net\/ser\/imagenes\/2008\/08\/27\/cultura\/1219792629_740215_0000000000_noticia_normal.jpg\" width=\"180\" height=\"257\" \/><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\">\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PgF-rcHcPqE\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\"><\/iframe>\n<br \/>\n<\/span><\/p>\n<ul style=\"text-align: justify\">\n<li><span style=\"font-family: arial, helvetica, sans-serif\"><strong><span style=\"color: #ff00ff\">Casablanca (1942).<\/span><span style=\"color: #c0c0c0\">\u00a0<\/span><\/strong>\u00a0La maravillosa canci\u00f3n \u201c<i>As time goes by<\/i>\u201d perteneciente a esta banda sonora nos transporta al pasado, un cl\u00e1sico del cine de ayer y hoy.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn%3AANd9GcQZw4ui7AzVCLcKWyWdk4p23iFmDiwcd9TJujh-8NuvmGaZq4SY\" width=\"180\" height=\"200\" \/><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\">\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wOxBRlWyyq8?si=VB-h1XZq28MgMAwe\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\"><\/iframe>\n<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/4.bp.blogspot.com\/_X1-xFn8w-i0\/SpOFO_M7PNI\/AAAAAAAAFBQ\/uUzcEx3RkXI\/s400\/tiomkin0.jpg\" width=\"180\" height=\"200\" \/>El ruso <strong>Dmitri Tiomkin\u00a0<\/strong>\u00a0dot\u00f3<strong>\u00a0<\/strong>a grandes westerns de una m\u00fasica grandiosa, llena de dinamismo y poder descriptivo. Estos son algunos ejemplos.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul style=\"text-align: justify\">\n<li><span style=\"font-family: arial, helvetica, sans-serif\"><strong><span style=\"color: #ff00ff\">Gigante (1956).<\/span><span style=\"color: #ff00ff\">\u00a0<\/span><\/strong><span style=\"color: #333333\">Con esta brillante banda sonora las llanuras del Oeste americano nunca estuvieron tan cerca.<\/span><\/span><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail alignnone\" src=\"https:\/\/th.bing.com\/th\/id\/R.ca8ca0633baea31b6fe0b978c6ccded1?rik=PW3yu%2boU%2fcP7Cg&amp;riu=http%3a%2f%2fwww.dcine.org%2fsites%2fdefault%2ffiles%2fcarteles%2fGigante_0.jpg&amp;ehk=IQTmZL%2feQOHXPuzDi6NA1o5sHnxRK3YvXXQCmq%2bB%2by4%3d&amp;risl=&amp;pid=ImgRaw&amp;r=0\" width=\"180\" height=\"270\" \/><\/p>\n<p style=\"text-align: justify\">\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/z2nJyhimGJw\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\"><\/iframe>\n<\/p>\n<ul style=\"text-align: justify\">\n<li><span style=\"font-family: arial, helvetica, sans-serif\"><span style=\"color: #ff00ff\"><strong>R\u00edo Rojo (1948). <\/strong><\/span><span style=\"color: #333333\">Un cl\u00e1sico del g\u00e9nero donde <b>Tiomkim<\/b> pone de manifiesto todo su talento.<\/span><\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/es.web.img3.acsta.net\/pictures\/210\/116\/21011629_20130610172655963.jpg\" alt=\"\" width=\"180\" height=\"250\" \/><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\">\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Wmbb5nKOHiE\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\"><\/iframe>\n\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/static-1.ivoox.com\/audios\/9\/8\/8\/4\/7061632514889_XXL.jpg\" alt=\"\" width=\"180\" height=\"180\" \/> Eric W. Korngold <\/strong>fue otro vien\u00e9s que caus\u00f3 gran impacto en el Hollywood de los 30, realiz\u00f3 partituras cl\u00e1sicas para pel\u00edculas de aventuras que se adecuaban al car\u00e1cter teatral y extravagante de su m\u00fasica. He aqu\u00ed un ejemplo.<\/span><\/p>\n<ul style=\"text-align: justify\">\n<li><span style=\"color: #ff00ff;font-family: arial, helvetica, sans-serif\"><strong>Las aventuras De Robin Hood (1938).<\/strong><\/span><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tse3.mm.bing.net\/th\/id\/OIP.L2XDjqmddeQ28fjixOcW4wHaJ4?cb=ucfimgc2&amp;rs=1&amp;pid=ImgDetMain&amp;o=7&amp;rm=3\" alt=\"\" width=\"180\" height=\"240\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail\" src=\"https:\/\/encrypted-tbn3.gstatic.com\/images?q=tbn:ANd9GcRLocE0GJAEUKgAmVh5lwkS_QSHvEl_VKdWnFxE3MwErf0pknv8\" width=\"180\" height=\"270\" \/><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif\">\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4OH9MLMoPRM\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\"><\/iframe>\n<br \/>\n<\/span><\/p>\n<p style=\"text-align: center\"><strong>\u00a0<span style=\"font-family: georgia, palatino, serif\"><span style=\"color: #0000ff\">\u00a0<\/span><span style=\"color: #0000ff;font-family: arial, helvetica, sans-serif\">ACTIVIDADES <\/span><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-8842\" src=\"http:\/\/edublog.educastur.es\/unamusicadecine\/files\/2024\/12\/FA65262A-E887-4F6D-AA33-67470FD2BE56-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/edublog.educastur.es\/unamusicadecine\/files\/2024\/12\/FA65262A-E887-4F6D-AA33-67470FD2BE56-150x150.png 150w, https:\/\/edublog.educastur.es\/unamusicadecine\/files\/2024\/12\/FA65262A-E887-4F6D-AA33-67470FD2BE56-300x300.png 300w, https:\/\/edublog.educastur.es\/unamusicadecine\/files\/2024\/12\/FA65262A-E887-4F6D-AA33-67470FD2BE56-85x85.png 85w, https:\/\/edublog.educastur.es\/unamusicadecine\/files\/2024\/12\/FA65262A-E887-4F6D-AA33-67470FD2BE56.png 398w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/span><\/strong><\/p>\n<article id=\"post-874\" class=\"post-874 post type-post status-publish format-standard hentry category-evolucion-de-la-musica-de-cine\">\n<div class=\"entry-content\">\n<div class=\"entry\">\n<ol>\n<li style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif;font-size: 12pt\">\u00bfCu\u00e1les son los compositores que se mencionan en el post?<\/span><\/li>\n<li style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif;font-size: 12pt\">\u00bfQu\u00e9 compositor del post destac\u00f3 por sus bandas sonoras para westerns? \u00bfQu\u00e9 caracter\u00edsticas ten\u00edan sus banda sonoras? Pon un ejemplo.<\/span><\/li>\n<li style=\"text-align: justify\"><span style=\"color: #ff0000;font-family: arial, helvetica, sans-serif;font-size: 12pt\"><strong>\u00bfQu\u00e9 compositor se dice que inici\u00f3 la m\u00fasica cinematogr\u00e1fica de Hollywood? \u00bfQu\u00e9 elemento introdujo en el lenguaje cinematogr\u00e1fico? \u00bfEn qu\u00e9 consiste?\u00bfQu\u00e9 banda sonora le supuso un \u00d3scar?<\/strong><\/span><\/li>\n<li style=\"text-align: justify\"><span style=\"font-family: arial, helvetica, sans-serif;font-size: 12pt\">\u00bfQui\u00e9n compuso \u00abLas aventuras de Robin Hood\u00bb? \u00bfPor qu\u00e9 se caracteriza su m\u00fasica?<\/span><\/li>\n<\/ol>\n<\/div>\n<\/div>\n<div class=\"author-info clear\" style=\"text-align: justify\"><\/div>\n<footer class=\"entry-footer\"><\/footer>\n<\/article>\n<div class=\"post-navigation-container\">\n<nav class=\"navigation post-navigation\" role=\"navigation\" aria-label=\"Entradas\">\n<h2 class=\"screen-reader-text\" style=\"text-align: justify\"><\/h2>\n<\/nav>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Se ha dicho que la m\u00fasica cinematogr\u00e1fica de Hollywood comenz\u00f3 con el vien\u00e9s Max Steiner. \u00a0Autor de m\u00e1s de 300 bandas sonoras, dot\u00f3 a sus obras de una gran expresividad e inici\u00f3 t\u00e9cnicas que interrelacionaban di\u00e1logo, acci\u00f3n y m\u00fasica de forma nueva, lo que marcar\u00edan la m\u00fasica caracter\u00edstica de los a\u00f1os dorados de Hollywood. Es [&hellip;]<\/p>\n","protected":false},"author":334,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-883","post","type-post","status-publish","format-standard","hentry","category-evolucion-de-la-musica-de-cine"],"_links":{"self":[{"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/posts\/883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/users\/334"}],"replies":[{"embeddable":true,"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/comments?post=883"}],"version-history":[{"count":24,"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/posts\/883\/revisions"}],"predecessor-version":[{"id":9135,"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/posts\/883\/revisions\/9135"}],"wp:attachment":[{"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/media?parent=883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/categories?post=883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edublog.educastur.es\/unamusicadecine\/wp-json\/wp\/v2\/tags?post=883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}